In addition to the donation-funded non-profit association Karajan Akademie der Berliner Philharmoniker, which enables the training of young, highly talented musicians by members of the Berliner Philharmoniker, there has been another institution since 2000: the Foundation for the Promotion of the Karajan Akademie. Its sole aim is to support the promotion of young talent founded by Herbert von Karajan.
As Herbert von Karajan’s successor, Claudio Abbado, chief conductor of the Berliner Philharmoniker from 1989 to 2002, significantly benefited the Academy by donating the assets of the Claudio Abbado Music Foundation to it in 2002. In honor of Claudio Abbado, the Karajan Akademie awards the Claudio Abbado Composition Prize at irregular intervals. At the same time, the recipient is commissioned to compose a work that takes into account the possible instrumentation of the Academy’s scholarship holders and their musical and artistic qualifications. The rehearsal phase will be accompanied by the composer and the work will be premiered at a concert of the Karajan Akademie.
2022: Donghoon Shin
Nachtergebung, Concerto for cello and orchestra
Premiere on 07 May 2022
Conductor: Kirill Petrenko
Cello: Bruno Delepelaire
The cello concerto Nachtergebung consists of five movements that flow directly into one another, the titles of which are borrowed from poems by the Austrian expressionist Georg Trakl. The darkly glowing texts, full of foreboding and rich in eerily beautiful images, provide starting points for music. Donghoon Shin feels that they remind him of "artistic, bold counterpoint"; the images "inspired him to create various melodies, harmonies and colors".
To mark the 50th anniversary of the Karajan Academy, the work was premiered at the Philharmonie Berlin with soloist Bruno Delepelaire under the conductor Kirill Petrenko.
2020: Milica Djordjević
Transfixed for ensemble
Premiere on 22 September 2020
Milica Djordjević's music is described as "rough, often even raw in gesture", as a "vital tonal language that denies harmony and beautiful sound less than it grants the experience of the elemental, quite pleasurably: Sounds of the emanations of the earth." Milica Djordjević was awarded the Claudio Abbado Composition Prize in 2020 and also received a commission from the Karajan Academy of the Berliner Philharmoniker for the work transfixed, which was premiered as part of the 2020 Musikfest.
2017: Vito Žuraj
Alavò
Premiere on 5 November 2017
Vito Žuraj’s work is characterized by powerful and meticulously crafted compositions, tailor-made for the performers and often including scenic elements and spatial sound concepts. Born in Maribor in 1979, his works have quickly gained recognition at major concert halls and festivals, interpreted among others by the New York Philharmonic Orchestra, BBC Scottish Symphony Orchestra, Ensemble Modern and the RIAS Kammerchor.
2014: Valerio Sannicandro
Aquae
Premiere on 9 November 2014
Valerio Sannicandro’s sound language is an interplay between the compositional idea, a ‘spatialization’ of music and performing challenges. AQUAE presents the listener with tone images which sometimes sound unreal and whose production rely on the instrumentalists leaving their usual instrumental space.
2010: Bruno Mantovani
Concerto de chambre No.1
Premiere on 16 June 2010
The thought and work of Bruno Mantovani combines historical knowledge with an awareness of the challenges of the future; for him, the consequence of this means confronting the present with all senses and drawing on its different musical forms. This worldly, life-affirming musicality makes him a perfect partner for the young, gifted musicians of the Academy.
2006: Jörg Widmann
Quintet for oboe, clarinet, horn, bassoon and piano
Premiere on 10 November 2006
From compositional idea to actual playing and everything that lies between, Jörg Widmann was born to work with the academy students. The composer stands out through entering into a dialogue with the young musicians, and introducing them to his own aesthetic discourse by involving the players in the creative process. Thanks to him and his understanding of the young musicians, he consolidates the bridge to contemporary music.