The Berliner Philharmoniker’s Karajan Akademie enables musically talented young musicians to perfect their training together with members of the Berliner Philharmoniker. Since it was founded in the 1970s by Herbert von Karajan, who gave it its name, the academy has been supporting young orchestra musicians from all over the world. In individual lessons, orchestra rehearsals and concerts, the scholarship holders gain indispensable experience for their careers and learn professional discipline and concert routines in the best sense of the word. Career preparation seminars and their own concerts complement the training at the Karajan Akademie.
For the Berliner Philharmoniker, the members of the Karajan Akademie are a great asset: when applying for a position in their orchestra, it is not only instrumental ability and musicality that are decisive, but also a sound that fits in with the Berliner Philharmoniker. The scholarship holders are optimally prepared for this by the orchestra members and can thus become young professionals of the Berliner Philharmoniker who will continue the musical tradition. Around a third of the Berliner Philharmoniker’s musicians have emerged from the academy.
What does it mean to play in an orchestra? What skills do professional musicians need to learn?
The two-year training at the Karajan Akademie, which is both a postgraduate course and an internship, teaches close listening and permanent and critical self-reflection. Inspired by the philharmonic pentagon, the training is based on five pillars:
Regular individual lessons, mainly with the concertmasters of the Berliner Philharmoniker, convey the orchestra’s philosophy in addition to the special Philharmoniker playing style and sound ideal. Scholarship holders are encouraged to take responsibility for themselves and are motivated to set and achieve their own goals.
In the Carte blanche concert series, scholarship holders are given the opportunity to present themselves as soloists or in chamber music formations with a program of their choice and to expand their instrument-specific repertoire.
As part of their training, the young musicians are prepared for upcoming auditions. This includes studying the literature as well as mentally preparing them for the challenging conditions of an audition situation.
Last but not least, the young musicians are prepared for future auditions, including rehearsing the necessary repertoire, especially the orchestral parts, and mentally preparing themselves for the extreme conditions that the situation involves.
In the Monday seminars, the scholarship holders are taught content from the fields of physio- and psychoprophylaxis, music philosophy, music law, marketing and dance, which prepares them for the challenges of a long and fulfilling life as a professional musician.
Free scholarships are regularly advertised on our website.