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The Berliner Philharmoniker and Kirill Petrenko kick off the new season – just a few days before the 200th anniversary of the birth of Anton Bruckner, whose work will be the focus of the 2024 programme. The Fifth Symphony is a work with which the composer fought for public recognition. In it, he reveals himself to be a gifted musical architect, bringing together voluptuous melodies, solemn chorales and sophisticated contrapuntal structures to create a symphonic monument. Kirill Petrenko conducts Bruckner with the Berliner Philharmoniker for the first time.
Artists
Berliner Philharmoniker
Kirill Petrenko conductor
Programme
Anton Bruckner
Symphony No. 5 in B flat major
Additional information
Season opening concert in partnership with Deutsche Bank
Main Auditorium
47 to 149 €
Introduction
18:15
Tickets may become available again at a later date.
Today, concerts featuring Bruckner’s symphonies are among the Berliner Philharmoniker’s seasonal highlights, but this was not always the case. The orchestra’s first principal conductor, Hans von Bülow, consistently refused to perform Bruckner’s music.
Bruckner’s monumental symphonies can be intimidating, so members of the Berliner Philharmoniker give their tips for the Bruckner listening experience.
Kirill Petrenko has been chief conductor and artistic director of the Berliner Philharmoniker since the 2019/20 season. Born in Omsk in Siberia, he received his training first in his home town and later in Austria. He established his conducting career in opera with positions at the Meininger Theater and the Komische Oper Berlin. From 2013 to 2020, Kirill Petrenko was general music director of Bayerische Staatsoper. He has also made guest appearances at the world’s leading opera houses, including Wiener Staatsoper, Covent Garden in London, the Opéra national in Paris, the Metropolitan Opera in New York and at the Bayreuth Festival. Moreover, he has conducted the major international symphony orchestras – in Vienna, Munich, Dresden, Paris, Amsterdam, London, Rome, Chicago, Cleveland and Israel. Since his debut in 2006, a variety of programmatic themes have emerged in his work together with the Berliner Philharmoniker. These include work on the orchestra’s core Classical-Romantic repertoire, for example with symphonies by Beethoven, Mendelssohn and Brahms. Unjustly forgotten composers such as Josef Suk and Erich Wolfgang Korngold are another of Kirill Petrenko’s interests. Russian works are also highlighted, with performances of Tchaikovsky’s operas Mazeppa, Iolanta and The Queen of Spades attracting particular attention recently.
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