Musikfest Berlin
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He performed in the circus, was celebrated as a pianist, was made to do forced labour under Stalin – György Cziffra’s life was full of successes and tragedies. These are portrayed in a radical and touching way in Cziffra Psodia, a piano concerto composed by fellow Hungarian Peter Eötvös. The soloist for this performance is Pierre-Laurent Aimard; Jonathan Nott conducts. In the same programme, Charles Ives’ Fourth Symphony takes us into early American modernism: a visionary collage of hymns, marches and fugues that explores fundamental questions of existence, performed by a powerful orchestra with piano and choir.
The Berliner Philharmoniker, Jonathan Nott and Pierre-Laurent Aimard dedicate these concerts to the memory of Peter Eötvös (1944-2024).
Artists
Berliner Philharmoniker
Jonathan Nott conductor
Pierre-Laurent Aimard piano
Gregor A. Mayrhofer Co-conductor
Ernst Senff Chor Berlin
Steffen Schubert chorus master
Programme
Missy Mazzoli
Orpheus Undone
Peter Eötvös
Cziffra Psodia for piano and orchestra (German Premiere)
Pierre-Laurent Aimard piano
Interval
Charles Ives
Symphony No. 4
Pierre-Laurent Aimard piano, Gregor A. Mayrhofer Co-conductor, Ernst Senff Chor Berlin, Steffen Schubert chorus master
Additional information
In co-operation with Berliner Festspiele
Main Auditorium
22 to 71 €
Introduction
18:15
Series N: Concerts with the Berliner Philharmoniker
Main Auditorium
22 to 71 €
Introduction
18:15
Series C: Concerts with the Berliner Philharmoniker
Composer and conductor Peter Eötvös died in March of this year at the age of eighty. When the Berliner Philharmoniker give the German premiere of his piano concerto Cziffra Psodia this September, the orchestra pays homage to a passionate musician who was a close associate for decades.
During the working process, Jonathan Nott uses clear gestures and images to convey his musical ideas. He is known for his intensive approach, for his meticulous attention to detail in every melodic and rhythmic phrase, and for constantly discovering new things: a never-ending process. Nott, who was born near Birmingham and studied musicology at Cambridge, voice and flute in Manchester, and conducting in London, is acclaimed for his energetic and transparent interpretations: ‘consistent logic and clear structures’ are just as important to him, he says, as liberating some orchestral sounds from the ‘grime and rust’ of past performance traditions.
This approach owes much to Nott's decades-long involvement with modern music. He was music director of the Ensemble Intercontemporain, founded by Pierre Boulez in Paris, and chief conductor of the Bamberg Symphony Orchestra, with whom he premiered works by Jörg Widmann, Wolfgang Rihm and Mark-Anthony Turnage. Anyone, the internationally sought-after conductor believes, can learn to appreciate the novel frequencies of contemporary music. Jonathan Nott is Music Director of the Tokyo Symphony Orchestra, Chief Conductor and Music Director of the Orchestre de la Suisse Romande and Principal Conductor and Artistic Advisor of the Junge Deutsche Philharmonie, also working as a guest conductor with many more of the world's leading symphony orchestras. He has appeared regularly with the Berliner Philharmoniker since 2001.
When was awarded the Ernst von Siemens Music Prize, “the Nobel Prize of Music”, in 2017, Pierre-Laurent Aimard was praised as a “pivotal figure in the musical life of our time”, and as a pianist who “makes light and colours, everything that he plays, clear and vivid.” Pierre Boulez as the first solo pianist of the Ensemble Intercontemporain when he was just 19 years old; he remained associated with the group for 18 years.
During this time, he took part in numerous world premieres and established his reputation as one of the ‘leading interpreters’ (Olivier Messiaen) of contemporary music. However, the repertoire of the Baroque, Classical and Romantic periods is also of great importance to Aimard, as his benchmark recordings of Bach, Mozart and Liszt clearly demonstrate. He has worked closely with numerous important composers, including György Ligeti, whose complete piano works he has recorded. Pierre-Laurent Aimard has performed worldwide under the baton of conductors such as Esa-Pekka Salonen, Sir Simon Rattle and Vladimir Jurowski, and he has worked as a curator, soloist and conductor at venues such as Carnegie Hall and Lincoln Center in New York, the Vienna Konzerthaus, the Alte Oper in Frankfurt, the Cité de la Musique in Paris and the Southbank Centre in London. Pierre-Laurent Aimard has worked closely with the Berliner Philharmoniker since 2000.
Ernst Senff was the choir director of the Städtische Oper Berlin when he founded the Ernst Senff Choir in 1967. Initially formed as a chamber choir at the Hochschule für Musik Berlin, the semi-professional ensemble has since developed into a large concert choir. For many years, the group has not only been in demand with the major Berlin orchestras, but also with orchestras such as the Leipzig Gewandhaus Orchestra, the Staatskapelle Halle and the European Youth Orchestra.
In collaboration with various orchestras, including the Berliner Philharmoniker, and under the direction of conductors such as James Levine, Claudio Abbado, Daniel Barenboim, Sir Simon Rattle and others, the Ernst Senff Choir has made numerous recordings, some of which have won awards. Its repertoire ranges from the 17th to the 21st century, and the size of the ensemble varies from 20 to 120 singers, subject to requirement. Members of the Ernst Senff Choir frequently join the choirs of the Komische Oper and the Deutsche Oper Berlin, with whom they collaborate closely, for reinforcement. Concert tours have taken the ensemble to numerous German cities as well as Austria, Spain and Israel. Since 2009, the choir has been directed by Steffen Schubert.
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