Info
Under the title Paradise lost? On the Threat to Nature, the Berliner Philharmoniker and chief conductor Kirill Petrenko open their third Biennale. One work that ideally reflects the theme is Beethoven’s “Pastoral”, which exuberantly celebrates the beauty of country life. However, the idyll proves to be fragile and is swept away by an apocalyptic storm. Miroslav Srnka’s work Superorganisms, heard here in its German premiere, embodies a completely different kind of natural phenomenon. It depicts life forms that can only exist in a community in a fascinating way. The concert opens with Arcana, by Edgard Varèse; The title refers to 16th-century alchemist and astrologer Paracelsus, who sought universal knowledge, and believed that the stars could help understand human healing.
Artists
Berliner Philharmoniker
Kirill Petrenko conductor
Programme
Edgard Varèse
Arcana for large Orchestra (revised version from 1960)
Miroslav Srnka
Superorganisms, commissioned by Berliner Philharmoniker Foundation, NHK Symphony Orchestra, Los Angeles Philharmonic, Czech Philharmonic and Orchestre de Paris (German premiere)
Interval
Ludwig van Beethoven
Symphony No. 6 in F major, op. 68 “Pastoral”
Main Auditorium
37 to 106 €
Introduction
19:15
Series E: Concerts with the Berliner Philharmoniker
Also available as Biennale package
Main Auditorium
37 to 106 €
Introduction
19:15
Series F: Concerts with the Berliner Philharmoniker
Also available as Biennale package
Main Auditorium
37 to 106 €
Introduction
18:15
Series N: Concerts with the Berliner Philharmoniker
Also available as Biennale package
Kirill Petrenko has been chief conductor and artistic director of the Berliner Philharmoniker since the 2019/20 season. Born in Omsk in Siberia, he received his training first in his home town and later in Austria. He established his conducting career in opera with positions at the Meininger Theater and the Komische Oper Berlin. From 2013 to 2020, Kirill Petrenko was general music director of Bayerische Staatsoper. He has also made guest appearances at the world’s leading opera houses, including Wiener Staatsoper, Covent Garden in London, the Opéra national in Paris, the Metropolitan Opera in New York and at the Bayreuth Festival. Moreover, he has conducted the major international symphony orchestras – in Vienna, Munich, Dresden, Paris, Amsterdam, London, Rome, Chicago, Cleveland and Israel.
Since his debut in 2006, a variety of programmatic themes have emerged in his work together with the Berliner Philharmoniker. These include work on the orchestra’s core Classical-Romantic repertoire, for example with symphonies by Beethoven, Mendelssohn and Brahms. Unjustly forgotten composers such as Josef Suk and Erich Wolfgang Korngold are another of Kirill Petrenko’s interests. Russian works are also highlighted, with performances of Tchaikovsky’s operas Mazeppa, Iolanta and The Queen of Spades attracting particular attention recently.
Plan your visit
Opening hours, program booklets, dress code, introductions and more
How to get to the Philharmonie Berlin
Whether by bus, train, bike or car: Here you will find the quickest way to the Philharmonie Berlin - and where you can park there.
Ticket information
Advance booking dates, opening hours, seating plans, discounts