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Welcome to the second instalment of our new series Ausklang! Each time, you can experience a short programme with a single orchestral work – but one that has it all. This time it’s Gustav Holst’s orchestral suite The Planets: a musical journey through our solar system, conducted by Daniel Harding. Each of the seven planets has its own musical character, from rugged Mars to mystical Neptune. Unusual orchestral effects are employed, inspiring many subsequent film music composers. After the concert, we invite you to enjoy a free drink in the foyer.
Artists
Berliner Philharmoniker
Daniel Harding conductor
Ladies of the Rundfunkchor Berlin
Programme
Gustav Holst
The Planets
Main Auditorium
20 to 49 €
Gustav Holst was a modest man who accepted success rather than striving for it. Yet he refused to compromise when it came to implementing his artistic ideals.
Daniel Harding has been chief conductor of the Swedish Radio Symphony Orchestra since 2007 – an impressively long partnership. “It’s very satisfying to build something up slowly,” he says. Since autumn 2024, the English conductor has also been conductor of the orchestra and choir of the Accademia Nazionale di Santa Cecilia in Rome. He also works with top international orchestras such as the Berliner Philharmoniker, the Vienna Philharmonic, the Staatskapelle Dresden, the Concertgebouw Orchestra and leading orchestras in the USA.
Harding attracted attention early in his career as assistant to Sir Simon Rattle with the City of Birmingham Symphony Orchestra. This was followed by an assistantship with Claudio Abbado and the Berliner Philharmoniker, where Harding conducted for the first time in 1996. In the same year, he made his debut at the BBC Proms in London – as the youngest conductor in the history of the festival. By the age of 30, Harding had conducted every major orchestra in the world. In 2011, the Mahler Chamber Orchestra appointed him Honorary Conductor for Life. He was Music Director of the Orchestre de Paris from 2016 to 2019 and Principal Guest Conductor of the London Symphony Orchestra from 2007 to 2017. But Daniel Harding has another passion: he has also been working as a pilot since 2018. For him, making music and flying complement each other: “I wanted to find something that would challenge other areas of my brain.”
Brilliant, flexible, transparent, versatile, precise – this is how critics describe the sound of the Rundfunkchor Berlin. ”There is probably no other choir that does so many different things so well and that can deal with such a broad repertoire and such different formats,” says Gijs Leenaars, Chief Conductor and Artistic Director since the 2015/16 season. The programmes range from large-scale choral symphonies and a cappella concerts to interdisciplinary projects that break up the classical concert format and allow choral music to be experienced in a new way. In “sing-along concerts”, he repeatedly invites enthusiastic amateurs to make music together.
Its outstanding ability and versatility make the Rundfunkchor Berlin, founded in 1925, a partner of major orchestras and conductors. The Rundfunkchor Berlin has performed regularly with the Berliner Philharmoniker since the early 1990s and has taken part in performances of Antonín Dvořák’s Stabat mater, Giuseppe Verdi’s Messa da Requiem, Berlioz’s Romeo and Juliet and György Ligeti’s Requiem. Joint staging projects include the famous performances of Johann Sebastian Bach’s St Matthew Passion and St John Passion with Sir Simon Rattle and director Peter Sellars. The collaboration will also continue under chief conductor Kirill Petrenko, for example in Felix Mendelssohn’s oratorio Elijah, Arnold Schoenberg’s oratorio The Jacob’s Ladder and Richard Strauss’ Elektra.
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